Hammer museum5/2/2023 And each summer, concert series spotlighting edgy and buzzy local bands attract crowds of all ages, who fill the courtyard and the galleries alike. Philbin reimagined what was possible for the Hammer, and under her direction its exhibitions have included the Masters of American Comics, a large-scale body of work by 15 artists who shaped the development of the American comic strip and comic books during the past century THING, a broad selection of innovative contemporary sculptures by 20 L.A.-based artists and Made in L.A., a biennial show featuring under-recognized and emerging artists. ![]() “When I arrived in Los Angeles, there really wasn’t a museum that was regularly paying attention to the city’s thriving emerging artistic community, so it seemed like a niche that needed filling,” says Philbin. In her first year, she initiated Hammer Projects, an exhibition series dedicated to emerging artists, signaling to Los Angeles and to the world that something new was happening. The museum’s success is due in part to the efforts of current director Ann Philbin, who infused the space with a new vitality. Today, the Hammer is a glittering, rising star on the global cultural scene, an institution prized as a hub for Los Angeles’ creative community, and ground zero for startlingly original, fascinating and diverse programs and exhibitions. It remained that way until 1994, when UCLA formed a partnership with the museum and relocated its Wight Art Gallery and the Grunwald Center for the Graphic Arts there. ![]() Just three weeks after its opening (and before all construction had been completed), Hammer died and the museum closed its doors. Built by former chairman of Occidental Petroleum Corporation Armand Hammer, it was filled with old-master paintings and drawings, and collections of works on paper by artists like Honore Daumier. ![]() When the Hammer Museum opened in November 1990, it was a rich man’s gallery.
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